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	<title>Comments on: Thoughts on Vinyl and Analog</title>
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	<link>http://www.musicbusinessblog.com/2008/11/13/thoughts-on-vinyl-and-analog/</link>
	<description>Tips, Commentary, and Opinion on Surviving the New Music Industry</description>
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		<title>By: Wes</title>
		<link>http://www.musicbusinessblog.com/2008/11/13/thoughts-on-vinyl-and-analog/comment-page-1/#comment-145480</link>
		<dc:creator>Wes</dc:creator>
		<pubDate>Fri, 21 Nov 2008 08:34:39 +0000</pubDate>
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		<description>Jason, I love your blog.  I just wish you would post more, so I hate to be the one to tell you but this is just plain wrong. There is no frequency or sound in the realm of human hearing that a CD can not reproduce. I am a huge vinyl fan and will never give up collecting them but the &quot;better&quot; sound you get from them has nothing to do with which frequencies it is capable of reproducing. Now, if you&#039;re talking about transients, then that&#039;s another story. 44.1 simply has no room for full spectrum transients, but then neither did vinyl records.  The fact of the matter is that if you want a sound system with say 15Hz - 25KHz then you need specialized audio formats, specialized media players, specialized speakers, and specialized amplifiers. And even then you better have a @$%^ well trained ear to &quot;feel&quot; the difference that no one else will be able to enjoy.  The difference in sound &quot;quality&quot; between vinyl and cd that Dave Allen is hearing is simply his preference for the coloration (albeit minimal) of vinyl records: that is that they can HOLD some transient capability while 99% of most records were recorded before they even knew how this stuff works.  That&#039;s why we hear stories of playing a Bela Bartok record on a high-end system and suddenly you can &quot;hear&quot; the chairs creak in the orchestra. That sound wasn&#039;t intended to be there, therefore the &quot;higher&quot; quality is really just a perceived difference.  One has to remember the limitations and widespread acceptance of formats determines how something was &quot;supposed&quot; to sound, NOT THE HIGHEST QUALITY GEAR AVAILABLE YEARS LATER.  Funny enough, I bet half the time he&#039;s at a live show, that same 44.1 format is delivering the bass he claims is unavailable on CD format!  Besides all that 20Hz-30Hz and 18KHz-20KHz ARE transients to most ears.</description>
		<content:encoded><![CDATA[<p>Jason, I love your blog.  I just wish you would post more, so I hate to be the one to tell you but this is just plain wrong. There is no frequency or sound in the realm of human hearing that a CD can not reproduce. I am a huge vinyl fan and will never give up collecting them but the &#8220;better&#8221; sound you get from them has nothing to do with which frequencies it is capable of reproducing. Now, if you&#8217;re talking about transients, then that&#8217;s another story. 44.1 simply has no room for full spectrum transients, but then neither did vinyl records.  The fact of the matter is that if you want a sound system with say 15Hz &#8211; 25KHz then you need specialized audio formats, specialized media players, specialized speakers, and specialized amplifiers. And even then you better have a @$%^ well trained ear to &#8220;feel&#8221; the difference that no one else will be able to enjoy.  The difference in sound &#8220;quality&#8221; between vinyl and cd that Dave Allen is hearing is simply his preference for the coloration (albeit minimal) of vinyl records: that is that they can HOLD some transient capability while 99% of most records were recorded before they even knew how this stuff works.  That&#8217;s why we hear stories of playing a Bela Bartok record on a high-end system and suddenly you can &#8220;hear&#8221; the chairs creak in the orchestra. That sound wasn&#8217;t intended to be there, therefore the &#8220;higher&#8221; quality is really just a perceived difference.  One has to remember the limitations and widespread acceptance of formats determines how something was &#8220;supposed&#8221; to sound, NOT THE HIGHEST QUALITY GEAR AVAILABLE YEARS LATER.  Funny enough, I bet half the time he&#8217;s at a live show, that same 44.1 format is delivering the bass he claims is unavailable on CD format!  Besides all that 20Hz-30Hz and 18KHz-20KHz ARE transients to most ears.</p>
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